Diagram of an install method with potential objects in the space
How will my install communicate and be able to present the work to gain a understanding of my process. What components are essential - eg. bike and projection which are final products of the project. Other elements that have potential to be included in the installation, that can help bring out further aspects of the work and bring the work's reading to a new level.
Ideas of materials and material employment to upgrade a bike. What do the materials do as individual objects in a space, not attached to the bike. A different conversation -- perhaps 2 different but linked conversations around the materials purpose in action (on the bike) and the materials as objects to use to make something.
This also reminds me a little of Marina Abramovic's work Rhythm 0, where there was a arrangement of various objects and props placed on a table that audience could utilise on her as they wished while she stood silently in the room, a another object in the space.
Image: Rhythm 0, Marina Abramovic. Accessed from Delphian Gallery website: https://delphiangallery.com/marina-abramovic-rhythm-0/screen-shot-2018-12-24-at-17-16-30/
How will my 'spare objects' act in the space - what role do they have? They need to hold a certain demeanour in the space as objects of importance as I want there to be a equality amongst all the different aspects of the holistic project.
Objects as tools, objects as display, objects as momentos, objects as markers, objects as construction, objects as interpretation, objects as movable units to a body of work
Objects as rubbish
Objects as fill-ins
Objects as a refusal to adhere to contemporary technology to create a mechanical contraption
Objects as decoration
Objects as recycling and repurposing waste
Objects as a story
Objects as beings of their own
Objects as spacial disruptors
Objects as etc
Objects as means of conjunction
Objects as objects
Objects as 3D