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 Selected Exhibitions:

2023                         Kiss Taraf, The Artpapaper HQ. Tāmaki Makaurau/Auckland

2023                   Fertile Ground, DEMO. Tāmaki Makaurau/Auckland

 

2023                                Chemical Landscapes, ODDLY. Tāmaki Makaurau/Auckland

2022           'Hansa Studios Exhibition'. Tāmaki Makaurau/Auckland

2022                  Crap Encounters, play_station Artist-run Space. Pōneke [Wellington]

2022             local migrant, RM Gallery. Tāmaki Makaurau/Auckland

2021                                       Where We Are Now, Auckland Photography Festival, Form Gallery. Tāmaki Makaurau/Auckland

2021                  Conversation Pieces, Artspace Aotearoa. Tāmaki Makaurau/Auckland

2020             Inflorescence, Auckland Artweek, Comet Project Space. Tāmaki Makaurau/Auckland

2020                                  Shifting Matter, Form Gallery. Tāmaki Makaurau/Auckland

2020                              Lively Collisions, DEMO (curated by Yolunda Hickman. Tāmaki Makaurau/Auckland

2019                  Lightscape, Auckland Artweek, Comet Project Space Tāmaki Makaurau [Auckland] 

2019                    Adapt, Pearce Gallery Tāmaki Makaurau [Auckland] 

2018                                 ...If you knew me, with Jill Sorensen, Mark Harvey and Denise Batchelor, DEMO Tāmaki Makaurau [Auckland] 

 

 

Education

2022               Masters of Fine Arts, Whitecliffe

2020          BFA Honours 1st class, Whitecliffe 

2019 BFA, Whitecliffe 

2016   NZ Certificate in Arts and Design (Level  4) Whitecliffe

 

Grants and Awards: 

 

2021                      MFA scholarship, Whitecliffe

2021                    Top Student Award, BFA Hons

 

2020     Finalist: Eden Arts’ Art Schools Award

2018                              Shortlisted: Outlook For Someday: Someday Film Challenge 

 

 

Residencies:

2020          DEMO Instagram 1 week residency: June 30 - July 7

Gitanjali Bhatt [b. 1999 UK] is a Tāmaki Makaurau/Auckland-based sound and installation artist. Her work explores ways to reorient the landscape and human's perceived environments. Through hand-made, invented filming and sound-recording apparatuses, Bhatt documents towns, cities, parks, shops etc. directing interventions through processes of 'failure;' and nonsense. She explores how absurdist methods of interacting and filming can re-ignite advocacy for marginalised, 'unconventional,' ideas and break apart colonial control over how we each  encounter our surroundings.


Contact: 
Do feel welcome to email me at: 
gitanjalibhatt5@gmail.com
 

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